How 'Spider-Verse' forced animation to develop 'Adafruit Industries - Makers, Hackers, Artists, Designers and Engineers!

How ‘Spider-Verse’ forced animation to develop ‘Adafruit Industries – Makers, Hackers, Artists, Designers and Engineers!

cool new video From Fox On how back in 2017, Sony Pictures/Imageworks offered an alternative route to classic Pixar-style photorealism. Prior to the release of “Spider-Verse,” mainstream studios were reluctant to move away from the highly successful Pixar style and go with more stylized animation.

After Toy Story, almost all animation studios wanted to follow in the footsteps of successful Pixar, right down to their style. Many studios sought out “The Pixar Look”: extremely high quality, material-based, and in some cases semi-realistic.

It’s a catchy style that’s still popular at the box office – but animated films are starting to look somewhat monolithic. And while studios and independent artists have tested more stylistic approaches to short films, no studio will commit to a feature-length animated film that looks entirely different.

That is, until Sony Pictures/Imageworks took on Spider-Man: Into the Spider-Verse. Instead of chasing the look everyone was after, the team wanted to create something new visually. They did this with an “unrealistic show”.

Now, we are starting to see more and more movies with stylish animation like mitchell vs machines. Prior to 2017, there were already exceptions to Pixar’s aesthetic dominance. I think some of these exceptions are better and more charming than most Pixar, Disney or Sony movies. For example, the great Irish movie of 2015 sea ​​song. There is a wonderful piece in lair geek about how sea ​​songThe film was created by the film’s director Tom Moore and his Irish production studio Cartoon Saloon.

From line drawings to paper and watercolor backgrounds, the animation for Song Of The Sea is decorated even more with computer graphics—a style, if anything, that makes the movie look like a moving canvas. Whereas in the past animators were largely restricted to drawing each frame on transparent chains and layering them on a hand-drawn background, Moore’s team of animators had no limits on the number of layers they could place in each frame or the types of detail they could put in In which.
“Traditional animation – I love its look, and I try to keep it because I think it has timelessness, but it was limited to today’s technology,” Moore explains. “You can just get so much smooth before they start canceling each other out and really dark. They should look like flat colors on a drawn background. Whereas now we’re able to use just about any technique — we can animate the charcoal line.”

here tractor for sea ​​song below for reference.

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